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  All Eggs in One Mexican Basket by Greg Coyle
How a Serial Rapist, a Bounty Hunter and I Ended up in the Same Place
  Eggcidental Tourist by Joel Gunz
The Bates Motel-Coming to a Neighborhood Near You
  Doing the Dance by Chris Parkhurst
Sundance is a long way from Hollywood
  BusOneSeven: The Chicken Came First by Roderick Armageddon
A pending father's list of the most exciting reasons for not taking your parenthood too seriously.
  Recipe: Molded Egg and Caviar Salad
  Lists
  Haiku: Japanese poetry, lightly scrambled
  List: Rejected Egg Bank Slogans

Eggcidental Tourist
The Bates Motel-Coming to a Neighborhood Near You
By Joel Gunz

Nat Cole's Route 66. Jack Kerouac's On the Road. Lucy and Desi's Long, Long Trailer. After World War II Americans hit the road in record numbers, and the pop culture machine couldn't help but take notice.

In 1940 the CSAA-predecessor to AAA-posted membership at 100,000; by 1958 it had quadrupled to more than 400,000. In order to accommodate all this new tourist traffic, motor hotels sprouted like mushrooms-and rural communities, which had been suffering economically for years, were given renewed hope as they profited from this emerging tourist industry.

Also known as cabin camps, cottage courts, motor courts and highway hotels, these roadside inns were generally locally owned and operated. Many owners took pride in their businesses, investing in elaborately stylized signage and architecture that took advantage of regional styles-and, occasionally, stereotypes. Hence, at least from the outside, the Alamo Plaza Courts, owned by Texan Lee Torrance, resembled a stucco Spanish mission. Owners also employed adobe, stone, brick, or whatever else was handy, to attract guests.

This all changed with President Eisenhower's Interstate Highway Act in 1956, which aimed to tie the nation's major cities together with a system of superhighways. By 1960, more than 10,000 miles of new asphalt were in place. It was by these new routes that Americans would reach the future. The grand old highways, and the hundreds of small communities that survived because of them, were bypassed and left to wither away.

Some of the roadside inns continued to eke out a living, taking in the occasional tourist or trucker, but most were abandoned or converted into residences. As a result, though Americans in general were enjoying a period of unprecedented prosperity, their rural neighbors were beset by economic gloom.

Enter Alfred Hitchcock.

For an interesting study of the effects that the Highway Act had on rural communities, see his 1960 film Psycho. After escaping Phoenix, Arizona, Marion (Janet Leigh) turns off of the newly built main interstate onto the decommissioned U.S. Highway that leads to the Bates Motel.

Look closely when she signs the motel register, and you'll see that The Bates hadn't taken in a single guest in over eight months. Imagine the Bates' feelings when they were, in effect, put out of business by the new interstate that rerouted travelers away from their motel. No wonder Norman had an attitude problem!

In fact, it could be argued that the real evil depicted in Psycho is not Norman Bates at all, but those forces in our society that scuttled the American Dream for countless small town communities across the nation.

In 1960, Portland, Oregon, could still be called a small town. U.S. Highway 99 ran through the middle of the city and served both as a highway and a main artery for city traffic.

Then, in the mid-'60s, U.S. 99 was replaced by Interstate 5. The portion of the old highway that runs through the north end of Portland was renamed Interstate Avenue. But when completed, the I-5 freeway, built several blocks to the east, offered precious few off-ramps to bring travelers to the businesses that had been built in hopes of serving this new generation of travelers.

As time went by, the Interstate Avenue motels understandably fell into neglect, taking in guests who had reasons for renting a room by the hour.

The house that I grew up in during the '70s and '80s was one block off of Interstate Avenue, and it wasn't uncommon to see prostitutes in front of the Rose City Motel, or to see a police car lurch into the parking lot of The Viking. The enormous sign of a local church warned passersby that "The wages sin pays is death," the gravity of that promise underscored with lurid gothic lettering. Interstate Avenue was a neighborhood full of potential-or, perhaps, literal-Norman Bateses.

Miraculously, the vintage motels are still there. And their signage is a flamboyant theme park of neon and painted tin. Las Vegas in miniature. If they haven't been protected under the Historic Register Act, they should be. These signs hark back to an era when automobile travel was practiced as if it was a constitutional right, part of our Manifest Destiny.

There's the Westerner Motel, an enormous metal plank topped by a jauntily tilted neon cowboy hat. I imagine a boy from another era persuading his parents to stop here for the night. After tucking their son in to bed, they sneak across the street to the South Pacific island-themed Alibi Restaurant for a cocktail in the Tiki Room, a lounge that features wooden Tiki idols and imitation grass roofs. It is dark and exotic and underworldly. You half expect Jack Lord to emerge from the men's room.

The Palms Motor Hotel crouches behind a neon sign that is perhaps 40 feet tall and 15 feet wide. It features palm trees, monkeys, and a massive yellow illuminated arrow that points you toward the lobby. As a bonus, prospective guests are promised FREE TV. Not to be outdone by The Palms, the nearby Mel's Motor Inn offers wayfarers DIRECT DIAL PHONES and COLOR TV.

By 1975, over 42,000 miles of superhighway had been built. Consequently, nearly half of the older U.S. Highways had been decommissioned, bypassed, or relegated to the status of frontage road. For small towns that struggled for their existence even under the best conditions, the superhighway system was yet another blow to their survival.

Independently owned motor courts were further marginalized by corporate chains like Motel 6, which opened its first location in Santa Barbara in 1962, attracting budget travelers at $6 per night. The thrill of discovering the unique atmosphere of a local roadside motel was eventually replaced by the bland assurances of sameness and efficiency.

The motels along Interstate Avenue are a reminder that prosperity is brief. For the residents of North Portland in the postwar years, the American promise of financial abundance was as empty as the grin on the Paul Bunyan statue at the corner of Interstate and Denver; the Great Dream as unattainable as a mirage on an Arizona highway.

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