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It
was the summer of 1979; Gil Gerard joined Erin Grey for Buck Rogers
in the 25th Century and Electric Light Orchestra whipped up a catchy
little tune titled "Dont Bring Me Down." Never before in the short
history of my life have I longed so deeply for Gils cheesy grin,
Erins tight silver slacks and ELOs stubborn lyrics - the perfect
cocktail for a less-than-perfect world. Anthrax, Twin Towers, Pentagon,
Terrorists, Bin Laden, Afghanistan, Bush, Rumsfeld - in less than
two months time, these have become so familiar, its as if they were
part of our kindergarten studies (A is for Anthrax, B is for Bush...).
I feel like CNN has tapped into my veins, pumping a steady current
of troubles deep into my blood stream. I long for the days of worrying
about whether Buck and company were going to return for a second season.
Faced with the problems of the day, ELO and Twiki seem to pale in
importance, leading me to ask, "When the hell is the news media going
to stop feeding us sensationalism?" It seems to me that we -- the
not-so-humble citizens of America -- are suffering not only from terrorism,
but also from a bad case of overexposure.
Is
there nothing positive to celebrate? Must we be faced with a downward
spiral of depressing fodder launched from an unrelenting media cannon?
I believe one of our countrys greatest flaws is the manipulation,
repackaging, rebranding and reselling of negative information -
spoon-fed to us under the moniker "news," though so little of it
is actually new. We are victims of an increasingly sour American
media machine, yet we feed the news with ratings and opinions that
help to sustain its voracious appetite. Just as baseball is Americas
game, "bad news" is our nations vice - as American as apple pie.
I have no intention of making complete sense of this issue; its
too grand and too deep for me to even begin to unravel, so delete
that First Amendment message before you even touch the keyboard.
Lets face the facts, America is addicted to rehashed pain and our
drug of choice is the nightly news.
Media
saturation and overexposure is by no means a novel concept, but
this current wave provides us with an excellent opportunity to re-examine
the sensationalism of negative information. Better yet, it gives
us the opportunity to take action against a machine that apparently
assumes were satisfied with the current status quo.
Theres
little doubt that to the majority of Americans, September 11, 2001
will be known forever as the most terrible date to darken the calendar.
In addition to reporting on the vital information that we all needed
and wanted, the tragedies of that day gave way to a veritable treasure
of misery-ridden news angles and opportunities. With no apparent
consideration for ethics in journalism, the story possibilities
grew richer in dramatics, with aggressive graphics and somber musical
introductions accompanying a slide show of despair projected on
the stars and stripes. This level of sensationalism and drama is
a sure-fire motive appeal plucked straight from the bowels of Universal
Studios, exploiting our love of country, family and freedom, as
well as our hatred of Bushs "evil-doers." Its as if NBC phoned
Jerry Bruckheimer and demanded he jet to New York for a brainstorming
session on repackaging the greatest American tragedy of all time.
Clutching the hand of his favorite director, Michael Bay, the two
immediately cast Bruce Willis as the Fire Fighter who saved the
financial district, rocketing to Afghanistan to cut the wick of
evil before the match could strike again. Gil Gerard wouldnt stand
a chance against this level of drama.
Armed
with the ultimate tragedy, perhaps Americas news media believes
this is the last great opportunity to shine and theres no better
way to do it than by jumping aboard the bad news express. They didnt
have a chance during WWII and global news reporting was in its infancy
during Vietnam. The Gulf War wasnt really a war, and the conflict
in Eastern Europe was far enough away from our interests that Wolf
Blitzer didnt even feel the need to set up camp in Chechnya. But
the war against terrorism represents a golden opportunity to flood
the American public with a Costco-sized bundle of reconfigured bad
news, setting into motion a national movement of rage and sadness,
marching to the hum of a John Williams-infused chorus. Perhaps this
is the medias golden opportunity to fashion news as never before.
Should
we just stand back and accept this as the next logical step in news
reporting? I suggest not. I believe its our duty to our fellow
Americans to take advantage of the last bit of control available:
turn the channel. Better yet, shut the television off. If you decide
to brave the news - sifting through the garbage for a fresh catch
- take it upon yourself to avoid purchasing products from those
companies who advertise during the nightly "blues." Send whatever
message you can. It may seem a tiny drop in the bucket, but in a
capitalist society, sometimes the only way The People can make their
voices heard is by casting a vote with their checkbooks.
Remember
the television program Real People? Sarah Purcell and company managed
to fill an entire hour with simple, everyday human kindness and
innovation. Perhaps my memories have been jaded by the passage of
time, further warped by the birth of "reality television," but its
my firm belief that news is by no means synonymous with bad.
It
might be best for us to reflect not on the content of the news,
but rather the delivery and the subtext. By reading past the headlines,
between the lines, we just might find the real meaning, or at least
the heart of the information - that is, if it hasnt already been
plucked out, still beating with life on its way to becoming food
for the dogs of war.
After
further investigation, Buck, Colonel Deering and ELO seem like an
attractive alternative to the nightly news - VCRs, DVD and CD players
might be the perfect tools for drowning out the sorrow. After all,
consumer electronics were never designed to provide answers to lifes
complex questions; they were built to take us away from reality.
Perhaps its only fitting they feed from the same 120 volts that
offer up an all-access pass to the nightly news.
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